The Discourse of Europe and the Search for a European IdentityI
The current "discourse of Europe" features an effort to "identify" a Europe that is good and noble, capable of serving as a spiritual basis for a new and (let us not fear the term) post-modernist economic system based on consumerism, multinational capitalism, and commitment to what is euphemistically called "the free market". This quest for a Europe that is good and noble and therefore worthy to provide the ethos of a new kind of community (at once democratic and cultivated, both socialistic and capitalistic, Christian and humanistic, scientific and pious) is motivated in large part by the desire to redeem the Europe of the fathers from the onus of guilt born of an awareness that "Europe" had been responsible for the new forms of social violence spawned in the "rotten twentieth century" (Timothy Garton Ash’s term).
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| Modern Polish Literature Through a Postcolonial Lens |
Castorp by Pawel Huelle, Poland's most accomplished contemporary writer [Halikowska-Smith, 2003] has frequently been interpreted as a counterpart to Thomas Mann's The Magic Mountain. A reader of Mann's novel may remember that before his arrival at Davos, Hans Castorp spent four terms as a student at the Danzig Polytechnic. It is around this digression that Huelle builds his plot, inserting into the biography of Mann's protagonist an extensive Gdansk-based episode. |
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